We're Liam and Pops. And we're rating (almost) every year of rock history to determine the greatest year of all. We're doing it bracket-style, starting with sixty-four entrants, pitting two years against each other every other week. As each year wins, it moves on to the next round. Tune in to see if you agree!
Music is my life, and rock and roll is my religion. I fell in love with classic rock growing up (thanks pops!) and learned to play guitar and write music. I later co-founded the band Back Alley Miracle, and I'm currently chasing the dream with my bandmates. To me, what makes rock and roll special is its ability to authentically and powerfully express any emotion. Whether I'm angry, happy, sad, contemplative, melancholy, or anything in between, I know there's an album, a band, or a song to fit my mood. When I think of what makes an album great, two things pop into my head: authenticity, meaning the art I'm experiencing can trace its origins back to the heart of the artist, and vision, meaning that every choice on an album was made for a reason (not necessarily a good one). To me, this podcast is an opportunity to listen to a bunch of music with my dad, and while it'll definitely be cool to crown a winner, at the end of the day I'll have a blast regardless of which year ends up on top.
This is Pops. Yes, I’m a boomer, so my love of music was cultivated on ‘60s and ‘70s classic rock. My earliest memory was watching the Beatles’ first appearance on the Ed Sullivan Show and I was hooked. The first vinyl album I bought was Led Zeppelin’s Physical Graffiti. I obsessed over that album for weeks, playing it constantly, poring over the trippy cover art and liner notes, and playing air guitar and air drums to many of the songs. But my love of music is not just about the finished product. I am also acutely interested in the process of music-making: from the incubation of song concepts to the techniques used to produce the desired effects. Besides listening to music, I love reading about the making of music and have consumed many articles as well as books about the Beatles, Led Zeppelin, Bob Dylan, Steely Dan, and others. Having a son born on the cusp of a new century has rekindled my love of music through introducing him to many of the sounds of my formative years. In turn, he has turned me on to a lot of new sounds that I probably would not have heard otherwise. Over the years, we have had countless conversations about music, and this podcast is an outgrowth of that shared interest, which we hope will be of interest to many others.
We took 64 years of rock music (1956-2019) and split the even and odd years each into one side of the bracket. This split was to ensure that the decades were evenly spread out between each side. Each side was then randomized, and we were off to the races!
Every round we look at four albums from each year. One of these albums is chosen by critical reception. To determine this, we select the top rock album from https://www.besteveralbums.com/, a site that aggregates critic reviews to determine the top albums of each year. Another of the four albums is chosen by popularity. This gets messy, not only because the best method of determining popularity may change from year to year, but often the most popular album is not even from that year. In the end, we decided to take into account raw sales, year end charts, and release date (an album release earlier in the year will have more sales than one released at the end for example) to best approximate popularity. Finally (this one is easy), Liam and Pops each pick an album to round out the four for the year.
Each round consists of two years, with four albums each. To determine a winner, we judge the four albums based on five categories, with a potential five points in each one. The year with more points across all four albums wins, and advances in the bracket. In the case of a tie between the two years, whichever year has the highest scoring album will be declared the winner. If both years top album received the same score, the year with the next highest scoring album will win, and so on. In the case that both years received four identical album scores, a fifth album will be considered for each, which will be the next highest critics choice album. The criteria by which we judge albums can be found in the link below.
In the round of 64, the only score taken into account is that of the four albums chosen from each year. In each subsequent round, four new albums will be chosen, based on the same criteria as the first four. Additionally, starting with the round of 32, each year will receive a fifth score, based on a new category that will be announced at the conclusion of the round of 64.
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